Legendary producer Kevin ”Caveman” Shirley put the rock guts back into Rush in the 1980s when they started to get too keyboard and synth oriented. Guitarist Alex Lifeson was asked to ditch the reverb and Neal Peart the electric drums. The problem being addressed was strikingly clear and indicative of the Eighties. “The songs had no “balls,” Shirley said. “They were thin so I was hell bent on making a heavy record.” No such issue befalls his Black Country Communion project.
The Anglo/American hybrid is unfairly…
The popular and critically acclaimed concert JASON BONHAM’s LED ZEPPELIN EXPERIENCE (JBLZE)–which
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